As a fan of some switching amplifiers I've always suggested newcomers to compare their differences making sure to use large copper cabling with the class Ds before committing. While my main system is powered by tubes I greatly prefer my wood mounted nCore 400s powering my Avalon Monitors in the studio.
While I've never even seen the Mola Molas it's no surprise to me that simple internal wire changes became the voicing tool towards the final build as mentioned in the article below.
ttp://www.thehighernote.com/blog/2012/12/20/mola-mola-caused-a-buzz-in-munich/
Class D in general has always been very sensitive to cabling which is why most reviews of this class have been a joke. Even so the distinct difference in Class D presentation until now has been called sterile or analytical. The idea of adding tubes to dumb down this presentation is so NOT the solution.
Clearly Bruno has found a fundamental change that has taken his basic design to another level.
If you have a chance to compare to your favorite linear solid state amplifiers compare your level of fatigue at higher or realistic volume.
While I've never even seen the Mola Molas it's no surprise to me that simple internal wire changes became the voicing tool towards the final build as mentioned in the article below.
ttp://www.thehighernote.com/blog/2012/12/20/mola-mola-caused-a-buzz-in-munich/
Class D in general has always been very sensitive to cabling which is why most reviews of this class have been a joke. Even so the distinct difference in Class D presentation until now has been called sterile or analytical. The idea of adding tubes to dumb down this presentation is so NOT the solution.
Clearly Bruno has found a fundamental change that has taken his basic design to another level.
If you have a chance to compare to your favorite linear solid state amplifiers compare your level of fatigue at higher or realistic volume.