"Running with the Devil" - Van Halen
First song to "Blow You Away"...
What was the first song that hit you between the eyes and took over your mind? Something that really put you into an altered state (without the drugs).
The first time I heard "Whole Lotta Love" in 1969 I couldn't believe what my ears were hearing. Jimmy Page's guitar grabbed me by the head and turned my brain into a Denver omlette.
The first time I heard "Whole Lotta Love" in 1969 I couldn't believe what my ears were hearing. Jimmy Page's guitar grabbed me by the head and turned my brain into a Denver omlette.
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Another one falling prey to Led Zep, in my case "Immigrant Song". I vividly recall being in the garden on a freezing cold night (interested in astronomy, nothing else) when it burst out from somewhere in the neigbourhood. I didn't know who or what it was, just stood there mesmerized, emotions rippling down my spine. Weird enough, several months later at school the art teacher - knowing how to keep his audience interested - did a music quiz and, finally, there it was again! Yep, a school teacher taught me Led Zeppelin. Shortly thereafter, major blows were to follow Yes, "Heart of the Sunrise" (actually, the album "Fragile" altered my state of mind for all times, I guess) Pink Floyd, "Careful with that Axe Eugene" Japan, "Adolescent Sex" Genesis, "The Knife" Jackson Heights, "Bump and Grind" ... with many more to come until this day. |
I was driving down I-65 today when Dylan's "Rainy Day Women #12 & 35" came on the radio. It took me back to 1965 or 66 when I was riding home from the store with Mom and "Like a Rolling Stone" came on the radio. We got home before the song ended so I ran into the house to turn the radio so I could catch the end of the song. Yeah, that was probably the first. I was maybe 12 years old. |
For so many reasons. First pop song to be recorded in a modular style. The song was recorded in five different recording studios taking more than 6 weeks to complete.....bouncing from 4 track to 8 track machines...try to hear that on the final recording. Brian Wilson somehow got the same sound from all 5 studios. Any recording engineers here will realize the difficulty of doing that in 2006, but in 1966??? The tempo changes so many times in a 3.5 minute span it's amazing. The song starts in the key G flat major (six flats) and starts with the verse descending from the relative minor: E flat minor. It was probably played in the key of F (one flat) with the verse starting on the chord of D minor and sped up at the mixdown stage. The song uses a solo cello and a theremin to build the rhythm section for one section, and in another section doubles a honky-tonk piano with a jaw's harp (this, at a time when typical pop songs used bass guitar, electric guitar, sometimes piano and drums) The instrumentation changes radically from section to section; the bass plays in some parts but not in others, drums and vocals drop in and out, and the voices sometimes accompany fully developed backing tracks (such as in the chorus) and are in parts almost a cappella. The beat, although the standard four-to-the bar, has a triplet feel, a three's over fours type thing. The second eight bars have a broken drum pattern, and the 16-bar chorus was edited into the multitrack master tape at some point during the construction of the track. When my ears first heard this Brian Wilson masterpiece in 1966, they took notice. This song forever changed not only my musical direction, but also changed the way music was recorded. Still quite an accoplishment even by todays standards. Great song, amazing production. |
I see some of you other geezers had to dig through a deep pile w/ feeble tools for this one. Seems like there were quite a few light bulbs, fire crackers, earthquakes, quasars and omeletes. Can't be sure what did it first... Donovan/ Sunshine Superman, Stones/ Jumpin' Jack Flash, Hendrix/ Puple Haze, Them/ Gloria. If you're cruising at a Pink Floyd elevation you can get shelled by Crimson, Can or Mahavisnu Orch. after that you're toast. |
The first song "tbma" was my first record purchase.-- Les Paul and Mary Ford's The World Is Waiting For The Sunrise.--(Even tho How High The Moon came out first.) This was a 78 rpm--played on our windup player. I must have played it so many times the needle cut thru to the other side.(Stylus force must have been 3 lbs.) Altho I must have a million favs---The cd I've listened to the most has to be Roger Waters' Amused To Death. I would come home; put this on repeat and this went on for 2/3 months---Without listening to anything else. This confession may explain somethings about me?? |
Ken Dodd and the Diddymen...I must have played that on my old hand me down gramophone about 10,000 times...that and an old Chet Baker album of my Dad's....I was only five years old, I guess I started collecting vinyl at quite a young age. Danny Kaye and Tubby the Tuba was another favorite...as well as TV themes including "Joe 90", Stingray and Thunderbirds. |
Melancholy Man by 'The Moody Blues' Dont ask me why,but the first time I heard this just a few years ago, I was literally frozen with tingles up my spine to my brain. I felt like running into the street and screaming like a madman..I 'am' serious. I dont know why,it was never a hit for them or stuck out as one of their better songs,but it sure blew me away like no other song I have ever heard. Now when I listen to it I think "was I psycho that day?" |
I've been blown away a few times in my life. For Christmas one year my parents gave me a new 45 rpm release by John Lennon called Cold Turkey. I knew John was in the Beatles and I liked a couple of their tunes (Tomorrow Never Knows) but I never heard any solo work by him. I've gota ask why my parents why they gave me that 45? Anyway, when the needle hit the groove I heard a guitar the likes of I've not heard since. John started singing like he was deranged and about to take succumb to some awful fate. I played that 45 at least 20 times that Christmas Morning and learned there were things much worse than the Bogeyman who lived beneath my bed. Also one day while riding in the car of a high school friend I was blown away by a song that fit everything I had been searching for in the way of cosmic sounds. "Lucky Man" by ELP fulfilled my wildest dreams of the possibility of music. What was that sound? It was a Moog synthesizer. The journey had begun...WOW! |
Sweet Leaf by Black Sabbath. In eighth grade Ozzy Ozbourne's first two solo albums were a big deal (although they are really clownish in retrospect). I was a guy in our gang who discovered Sabbath and introduced with something like, "Yeah, Ozzy is cool, but check THIS out." And I haven't tried to kill myself even once in the ensuing twenty five years. |
When I was a kid I was obsessed with Tchaikovsky's 1812 Overture. I must have made my mother play that Lp until you could see through it. My recollection is that it was by the Philadelphia Orchestra under Ormandy. I also saw the original Santana band play Soul Sacrifice live, which rearranged my molecules but good. |
Dayglow, thanks for reviving an interesting thread. 12-04-06: DrubinAwesome! I'm mostly a classical music person, but that is my favorite song from what is perhaps my all-time no. 1 favorite rock album, "Projections" (notwithstanding its less than ideal sonics). Regarding the original question, as a kid in the 1950's I had a great many favorites, most of which have not withstood the test of time. It would be hard to single out one or two for mention. But a recording from a later year (1967) that blew me away the very first time I heard it, and that has withstood the test of time, was Judy Collins original release of Joni Mitchell's "Both Sides Now." The version that was included in her "Wildflowers" album that was released around the same time, NOT the re-recording that was included in some of her later albums, which IMO loses all the magic. Regards, -- Al |
A P.S. to my previous post: This is Judy Collins' original release of "Both Sides Now." There is at least one other YouTube video which shows the cover art from her "Wildflowers" album, but includes a later (and IMO much inferior) re-recording. Regards, -- Al |
In the mid seventies Al, Judy Collins Send in the Clowns was played frequently by the audiophiles for a b different types of equipment. You could easily hear her breathing on that song and it was easy to detect which source brought out the best detail. Getting back to the subject it was Nat King Cole Unforgettable that blew me away and made me appreciate music. |