Anything from Nelson Pass or BAT.
???What's The LEAST Expensive "End Game"Amplifier You've Ever Heard???
Pretty simple question..
While I’m sure the "No Such Thing" crowd will make sure they represent,I’m not interested in their rhetoric..
I am however,most interested to hear from those who have heard integrated amplifiers they could get off the merry go round with,ESPECIALLY if it was on the more budget end of cost..For myself it would have to be the Sugden A21SE but that was 2 years ago,before the cost climbed to $4000.00......
Thanks for participating..
6 months ago that would be a hard question, now it’s easy. I have had lots of tube amps, and a few SS amps. A few months ago I found my forever preamp and amp. The Pass Labs Preamp. and the amp is the First Watt SIT-4…this amp does everything beautifully….at 10 watts of Class A it makes my Klipsch Forte IVs and the Volti speakers come alive like never before. So if Scotty beamed me to a deserted island I would take my Pass Labs XP-12 preamp, the First Watt Sit-4 and the Pass Labs XA-25 as a spare amp. |
@freediver Plenty of Posts to your inquiry are you reading ? |
@pindac ,yep,every reply,although I'm a little disappointed that the majority of choices are no where near inexpensive.. |
@freediver Even though sold, which is a guideline to a sale price. The Amp in the Link is to my recommendation made earlier in the Thread. https://www.diyaudio.com/community/threads/neurochrome-modulus-686-dual-mono.417355/ |
@imjerrys I know reviewers and friends that have long term experience with the AHB2 say the AHB2 sucks all the soul out of music. But others also really like them. I don't quite understand if this is a gear mismatch or what. But the AHB2 falls into my weird list. |
@imjerrys They don't really make proper bass- most SETs that make 7 Watts or more can't make full power at 20Hz. The output transformer simply lacks the inductance to allow it. If it did have the inductance it would be much larger and then wouldn't be able to make the highs. Distortion is quite high, which is part of the lush quality, but that distortion also obscures detail. You can have amps that are much lower distortion so are more detailed, but every bit as smooth, while also making proper bass. So SETs can be fun, but in no way are they the 'best'. |
@samureyex If Benchmark ever upgraded the AHB2 I would think it would sound like the new SimAudio Moon 761 (have not heard the 861). I have owned the AHB2 many times and the 761 reminded me of a better AHB2. More power and a bit tinge of warmth and maybe as detailed as the AHB2. These new amps are from the North Collection. |
I am very impressed with the Coincident Dynamo SE Mk.ll. I think it is now up to MK.lll status. It is a SET amp that uses EL34's instead of the usual suspects for a SET amp. If your speakers are efficient, the 8 watts seem powerful and also subtle. Lots of great musical textures and the midrange seems to have this backlit beauty that I really enjoy. It has a passive volume control, so you can use it as a integrated. It also has a nice headphone amp. You can find these new for under $2,000, and used for around $1,000. |
@freediver - wishful thinking. For a component to beat box store sonics, from increased costs from engineering, better parts (capacitors, resistors, custom transformers…), casework, one would expect costlier components. Sonic bargains are very rare, no short cuts to better sonics unless new discoveries like GanFet. |
Being that no amplifier is load impervious its performance will always be contingent on which speakers it's mated with (and vice versa), which is mostly about the obstacle that is the passive crossover situated between the amp and drivers and which severely impacts the interfacing between them. To make matters worse: passively one amp channel drives the entire frequency range of a speaker, and thus the higher frequency bands are affected by the power requirements down low, which has sonic implications - not least at elevated SPL's with complex and LF-heavy music material. Once you remove the passive crossover between the amp and drivers for direct and dedicated amp channel connection to each respective driver section actively (out- or inboard) - the passive XO replaced with a high quality DSP/electronic crossover - you significantly lessen the load strain presented to each amp channel, which in turn means making more effective use of its inherent performance envelope with a more effortless and lower distortion sound to follow. With the better interfacing between amps and drivers/speakers actively one is to roam more freely in the choice of amp not only from a power and overall matching perspective, but also with regard to much more easily harnessing the fuller performance potential of an amplifier. This way a higher performance will be achieved vs. a passively configured scenario with the same amp, although one will need more of them actively and as many that are required to cover the driver sections. It would seem stupid (and yet for the industry self-serving, certainly economically) to produce massively overbuilt and astronomically priced amps weighing in at hundreds of pounds as a (partial) answer to inefficient, load-heavy high-end speakers with power sucking complex passive crossovers, when you could let go of such a system's severe bottleneck and be good, indeed better with much cheaper amps in an active context. |
Though not an integrated amplifier, I'd throw in the CODA S5.5. 50 WPC pure class A, and more in A/B; 100 amp current capable. An end game solid state amp for me, drives all of my speakers easily (even vintage Infinity RS Kappa 7s). Doug Dale at CODA found a supply of hard to find "high bandwidth" transistors, and upgraded the S5.5 with those......somewhere mid 2023. I'm not sure why they didn't indicate a different model, like the S5.6 or some such; but it is a great SS amp. |
I am thrilled with my system and my amp is an integrated Primaluna Evo 300 (all tube). The tubes made the difference though. Up front I have two sets of Radiotechniques and 1 set of Brimars. In power I have a set of KT-150s and a set of GE 6L6GCs. With 4 KT-150s I was missing out of quite a bit of "mid range magic" and with for 6L6GCs the mids were a little shouty and didn't have enough power. Mixed they are incredible together. Speakers are Volti Rivals. With the right record/recording/pressing, I truly want no more out of my system. There is always better but I'm more than content with my setup. |